20110827

The Return of the Copacabana

NEW YORK -- OK, first things first. It's not on East 60th where the original was. And, it's not on 34th Street and 11th Avenue where it once was. But, dammit, the Copacabana is back!

For those of us of a certain age, the Copa was the height of New York nightclub fashion back in “the day.” The headwaiter, Manny, lived across the street from me in a Long Island suburb, and his status was as great as that of any rock star in those days before the term “rock star” was the epitome of fame. His wife, Eleanor, ran the coat check concession and even she was at least a minor deity.

The Copa dancers, the fascinating orchestras, the pretty-good-for-a-nightclub food, the fantastic cocktails ... . It was all a whirl of colors, flavors and fashion. Barry Manilow's anthemic "At the Copa" hit some years afterward captured a bit of the excitement.

Last night, the Copacabana officially opened in its new Times Square location with Willie Colón as the headliner.

This spot at 268 West 47th Street, in the former China Club space, is the fourth Copa reincarnation. It's on the fourth floor with a dance  club, restaurant, rooftop cocktail/dining space. A VIP room is scheduled to open in September.

The Copa dates to 1940, when it opened at 10 East 60th Street, welcoming such performers as Frank Sinatra, Nat "King" Cole, Tito Puente and others over the years.

The  new Copa is offering live Latin music nights on Tuesdays, Fridays and  Saturdays and has revived its famed Copa Dancers, guys and gals specializing in everything from salsa to merengue to bachata and cha-cha-cha.


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How to create a regional museum

Visionary John Adamski.
From The Corning (NY) Leader:

BLUFF POINT, NY -- A few years ago, freelance writer and photographer John Adamski spent a few vacation days exploring the Adirondack Museum in Blue Mountain Lake and The Wild Center in Tupper Lake, which delve into the culture and history of the North Country.

"It got me thinking," Adamski said. “I said to myself, 'Why don’t we have a place like this that tells the story of the Finger Lakes?' "

Upon returning home, Adamski wrote an essay for Life in the Finger Lakes magazine, pitching his idea.

Before he knew it, he was the board president for the Finger Lakes Cultural and Natural History Museum, an ambitious $30 million project slated to open in 2014 in Keuka Lake State Park in Yates County. ...

ElevenFinger Lakes (Conesus, Hemlock, Canadice, Honeoye, Canandaigua, Keuka, Seneca, Cayuga, Owasco, Skaneateles and Otisco) will be prominently featured.

The flora and fauna native to the region will also be highlighted, along with the people that have called the Finger Lakes home, including Native Americans, early white settlers, Amish and Mennonites.

Many of the displays will be interactive, Adamski promises.

“We’re going to redefine the word 'museum,' " he said. “It won’t be looking at old sticks and bones, but a place where people are educated about their environment."

[Go here for the full story.]

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Keuka Lake State Park
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Fed grant to bring local foods to NY B&Bs

From the Albany Times Union:

A $73,824 federal matching grant from the U.S. Dept. of Agriculture’s Federal-State Marketing Improvement Program will help local food producers and tourism by encouraging bed and breakfast operators to feature locally produced food and agricultural products, State Agriculture Commissioner Darrel Aubertine said Monday.

The Department will receive the grant in cooperation with Cornell Cooperative Extension of Madison County, which will lead the two year project, NOFA-NY, the Empire State B&B Association, Central New York Bounty, the New York Small Scale Food Processors Association, and the University of Illinois Extension.

New York is one of 19 states to receive 25 grants. The grant money will be available for the entire state.

Producer organizations and B&B owners are encouraged to participate in the project, which will begin in the fall.

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Culodden visitors center a site to behold


William M. Dowd photos
CULODDEN, Scotland -- Bonnie Prince Charlie was the icon of 18th-century Jacobites who wanted to put him on the throne of Scotland, freeing the nation from the shackles of the ruling English crown.

After all, they reasoned, he was a descendant of the Stuarts, a clan descended from the almost mythical Scottish hero Robert the Bruce. And the English were ... well, they were the hated English.

The movement had a few problems. For one, Charles Edward Stuart Louis John Casimir Silvester Maria Stuart, born in Rome in 1720, was not much of a hands-on guy as uprisings go. He spent only 12 months of his 68 years in Scotland, living a big chunk of the final 20 in Rome as the Duke of Albany. For another, any overt sign of allegiance to him could be punishable by death.

The high point of the Stuart uprising was 265 years ago. It was on April 16, 1746, that an English force led by the Duke of Cumberland crushed the massed Highlanders on a battlefield here less than 35 miles from Inverness, with 1,500 or so Scots killed in less than an hour compared to about 50 Redcoats.

It was the last battle on British soil, and ushered in a long period of English moves aimed at tearing apart the Scottish clan system that was the central nervous system of the country.

A definitely state-of-the-art visitors center was opened here in April 2008 on the anniversary of the battle. After touring it, I feel comfortable predicting it will be used as a prime example of what today's visitors centers should look like.

The multi-level structure is designed to take advantage of today's visually-oriented society to tell a centuries-old story. As visitors are led through the center, the English side of the story is told on one wall, the Scots' side on the other, with a variety of displays in the center of each corridor.

Included are opaque screens offering silhouettes of combatants and others who "come to life" when an interactive screen is touched. They tell the story of Culodden and the times from their points of view, often in words taken from actual diaries of the times.

In the "immersion room," visitors are led into a seatless space with projection screens on each wall. Each shows a different angle of the battle; you can watch on one screen an English cannon being fired, then turn and look at the opposite wall and see its impact on the Highland forces. The sound and fury are designed to give the visitor an idea of the noise and confusion inherent in a battle.

Among the numerous displays are several glass cases filled with weapons of the sort used in the mid-1700s. Rather than being lined up in precise lines as is the case in most museums, a guide explained, "these should be viewed as being brandished the same way they would be in battle, but then remove the people from the equation and leave the weapons as they would be then."

Other artifacts on display are several pieces from the glassware collection owned by the Drambuie Liqueur Co. Ltd. of Edinburgh. (Drambuie is a Scottish liqueur based on the recipe imparted by Bonnie Prince Charlie to one Makinnon of Skye for assisting him in the uprising of 1745. The Makinnon family to this day owns the exclusive Drambuie franchise.)

The complete collection includes some items with beautiful, swirling designs of leaves, grapevines, birds and other nature elements. Others have numerous designs peculiar to the Jacobite movement, usually etched into what were called "Amen'' toasting glasses that were stored in secret lest the English authorities see the pro-Prince Charlie designs on them.

For example, such words as redat (may he return) and revireseat (let it grow again) on the glasses were notes of support for the exiled Stuarts. The six-petaled white rose, another Jacobite symbol, is a common design as well, and a wide variety of intricate swirls, legends and designs make one long to hoist a Drambuie or two in honor of the craftsman if not of the Stuarts.

Once outside, visitors are given GPS-connected handsets to carry as they walk through the battlefield where red flags indicate the English lines, blue flags the Scots'.

As one reaches a point of interest, the GPS is triggered and the handset broadcasts information to the visitor who can take advantage of on-screen prompts to get additional information.

Only one building from the battle period remains on the land, and even that may have been rebuilt from the stones used in an earlier building. But, it gives visitors a feel of the type of structure common in the area at that time.


ON THE WEB
Culloden Battlefield Site
Battlefield video before the new center
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